Arts

Solid Pictures, a new exhibition at the Cantor Arts Center, spotlights a 19th-century technology that turned photographic negatives into three-dimensional portraits.

On view at the Anderson Collection, Patty Chang: surfacing features works exploring the 19th-century Point Alones Chinese Fishing Village, now home to Stanford’s Hopkins Marine Station.

A Vision of Paris presents the first public display of works from Roxane Debuisson’s extensive collection, documenting the city’s growth and renovation.

A 90-foot mural at Lucile Packard Children’s Hospital became a community effort when staff and young patients added their own brushstrokes to the work.

Mark Shunney stewards the university’s world-class collection of public art from a tiny eco-outpost next to Meyer Green.

From self-guided tours to serendipitous sightings, Stanford’s grounds offer many opportunities for engaging with public artworks.

On view now at the Cantor Arts Center, JANE! offers a new look at the university’s founding mother.

After 12 years at the helm of Stanford’s museum of modern and contemporary American art, Jason Linetzky says the spirit of possibility that animated the university’s emerging Arts District is still alive today.

Dance 123 invites students to expand their perception of what’s beautiful – by becoming the worst dancers possible.

The junior captains the women’s field hockey team and dances with three campus groups – experiences she credits with teaching her to let go.