Anderson Collection at Stanford

On view at the Anderson Collection, Patty Chang: surfacing features works exploring the 19th-century Point Alones Chinese Fishing Village, now home to Stanford’s Hopkins Marine Station.

After 12 years at the helm of Stanford’s museum of modern and contemporary American art, Jason Linetzky says the spirit of possibility that animated the university’s emerging Arts District is still alive today.

Resident artist Erika Chong Shuch brings the campus community and the public together for 1,000 Ways to Hold, which blends ceramics, sound engineering, and social connection. The exhibition is on view at the Anderson Collection.

Fall exhibitions invite visitors to contemplate color, courage, and cultural touchstones.

An exhibition and film screening pay homage to the contributions of women and nonbinary artists and filmmakers, welcoming visitors into a world of “contemplation, paradox, and play.”

The community is invited to the museum this Sunday for live music, interactive art activities, and short talks from art history graduate students about two new landmark exhibitions.

The culminating project for the design-build seminar “Responsive Structures” is a 23-foot-high contemplation space made from salvaged wood.

A new exhibition at the Anderson Collection offers a close look at the paintings and prints of one of California’s most important postwar artists and his local connections.

Campbell’s electrified works prompt visitors to see the surrounding permanent collection in a new light.

The donation by the late Mary Margaret “Moo” Anderson comes as the museum commemorates its fifth anniversary and launches a new fundraising effort.