Totem poles, silkscreen prints and other objects created by Northwest Coast indigenous artists are on display as part of a new exhibition at the Stanford Archaeology Center.
Stanford’s iconic amphitheater reopens after extensive renovations and upgrades that make it one of the premiere music venues in the Bay Area and a place for university pomp and circumstance.
Researchers grouped the participants based on data, not grade level, revealing three distinct patterns in how creativity could change during middle childhood.
A new online course explores Ludwig van Beethoven’s music and development as a composer. The class, led by music historian Stephen Hinton, features performances by and discussions with the St. Lawrence String Quartet, Stanford's ensemble-in-residence.
Students, faculty and staff collaborate on an exhibition and a grand opening that Leonardo would have appreciated. University photographer Linda A. Cicero captured some of the highlights of the opening reception.
A creative collaboration between the artist and Stanford provides opportunities for reflection and conversation about the representation of race in the media.
The stellar line-up includes pianist Lang Lang, banjo and bluegrass virtuoso Rhiannon Giddens, acclaimed violinist Joshua Bell, Afro-Cuban jazz exponent Chucho Valdés and multimedia artist Laurie Anderson.
Gift from the Capital Group Foundation includes funding for curatorial fellow position to oversee vast collection of works by Ansel Adams, Gordon Parks, Edward Weston and others.
